Happy New Year 2018

Port of Olympia and ThurstonTalk: When “Journalism” Isn’t What It Seems

Little Hollywood Investigation Reveals Paid Contract

By Janine Unsoeld

www.janineslittlehollywood.blogspot.com

When the Port of Olympia put out an article on May 5 by Kate Scriven for ThurstonTalk called, “Port of Olympia: Snapshot of Current Projects, Recent Changes, Plans for Future,” via the Port’s list serv, I read it. The public and the media are invited to subscribe to this list serv in order to keep up on Port activities.

The article was an interview with Port of Olympia executive director Ed Galligan and read like a one-sided industry puff piece, so I discredited it, but then, I became curious.

The next day, I wrote an email to Port staff and commissioners:

“I think it is very strange that the Port of Olympia would select this story written by a blog called ThurstonTalk to send out to those who have signed up to receive Port related information. My blog, Little Hollywood, has written many timely, well researched Port related stories worthy of sending out via this list. I am wondering how you determined that this story was more worthy for broader public dissemination than any of mine. What is your policy for selecting articles?”

Kathleen White, communications director for the Port, was prompted to respond to my inquiry on May 15 when Port Commissioner Bill McGregor sent me an email on May 14 wondering if I had received a response and what the answer was to my inquiry.

White’s answer revealed that the ThurstonTalk article was not just one-sided journalism, but was, in fact, a paid piece of marketing disguised as journalism, the product of a Port-ThurstonTalk contract signed on March 5.

“….In an effort to reach a broad local audience, the Port at its discretion chose to contract with ThurstonTalk for the writing and publishing of a select number of articles about the Port which can then be forwarded to the Port's email list,” White wrote Little Hollywood in an email May 15.

I immediately expressed confusion and responded that I was not aware of ThurstonTalk’s business model:

“…I heard that they pay their writers. That's all I know…. It sounds like they are a public relations firm that the Port contracted with to promote the Port, but it's made to look like independent journalism.  So, how much is the Port paying ThurstonTalk for this contract and what are the terms of that contract? I would also like to know what articles the Port is paying to be produced. Was the one sent out by Ed Galligan the first one? As you can imagine, I am very alarmed and disappointed that the Port wasn't more transparent about this when it sent out the article. Future articles from ThurstonTalk should contain a clear disclaimer, something like, “The following message from the Port of Olympia is a paid advertisement,” I wrote.

White responded that ThurstonTalk was hired by the Port of Olympia to produce four such “articles.” The article sent out May 5 as a “Message from Executive Director Ed Galligan” was the first article.

“Thank you for drawing the Port's attention to the need for a disclaimer on the article written and published by ThurstonTalk. Should the Port send out any future such articles, the Port will indicate that the article was paid for by the Port of Olympia,” wrote White.

White said that in 2015, the Port will pay $1200 per year for publication of all its news releases and $600 for the writing and publication of four articles about the Port, for a total of $1800. White said that the topics for the other three have not yet been determined. 

The Port's contract was signed on March 5 by White and Martin McElliott of ThurstonTalk.

According to its website, ThurstonTalk calls itself an “information source” serving the Thurston County community and was launched on January 1, 2011.

It says, “A vibrant community needs an information source that has the ability to interact with community members through multiple tools, while adding a meaningful advertising platform for local businesses.”

Asked to comment on its business model and how a discerning reader could know which articles are paid for, McElliott responded, “All of our writers are contractors.  Not all of our content is paid for by our sponsors.  Generally the articles that have a business logo attached are sponsored.  We write positive feel good stories and showcase why we all live work and play where we do,” said McElliott in an email today.

Generally?

The Port-ThurstonTalk contract says that their package includes all news releases by the Port, but when asked today after the Port’s work session, White said she wrote the May 20 press release about Olympia Beekeepers Association members installing hives in an Olympia Airport field that will be full of flowering blackberries this summer, and was not related to the ThurstonTalk contract.

According to the contract, ThurstonTalk features a variety of marketing and content packages ranging in monthly prices for articles from $150 to $3,100. For example, customer driven articles cost $500 per article, or $900 for six short posts. An event focused article is $450 per article.

Eight Port of Olympia Candidates To Be Interviewed For Commissioner Position

At today’s work session, Commissioners Barner and McGregor agreed to interview all eight candidates for the open commissioner position on June 1 and June 2 between 1 – 5 p.m. at Tumwater Town Center, 7241 Cleanwater Drive SW, Tumwater.  Each interview will last about 40 minutes.

One candidate, Bill Wells, asked the Port to withdraw his name from consideration.

Port commissioners George Barner and Bill McGregor are expected to reach a decision by June 10, but have until June 30 to do so.

Full Disclosure: Janine Unsoeld does not write any article for her blog, Little Hollywood, in exchange for payment. A small sidebar on her blog asks for donations if folks appreciate independent journalism and like what they are reading. Janine works fulltime as a caregiver for seniors and while she appreciates the donations she receives, it is safe to say that she writes what she is able to as a community service.

Janine is also under contract to write a book, “Legendary Locals of Olympia and South Puget Sound,” through Arcadia Publishing/History Press. The publishing company found her through her blog and felt she was qualified. No money will be exchanged as a result of this contract until actual books are sold. Due to the ridiculously low royalties one receives from writing, unless you are someone like a certain Ms. Rowling, it can safely be said that both this blog and the book project are labors of love.

Journalist Chris Hedges Comes to Olympia

By Janine Unsoeld

www.janineslittlehollywood.blogspot.com

Chris Hedges, Pulitzer Prize winning journalist and columnist for Truthdig, spent nearly two decades as a foreign correspondent in Central America, the Middle East, Africa, and the Balkans, with fifteen years at The New York Times.

Hedges will be speaking on Monday, March 9, 2015, 7:00 p.m., at South Puget Sound Community College’s Minnaert Center for the Performing Arts. Tickets are $10 for community members and free with SPSCC student identification. Tickets are available online at OlyTix.org or by calling (360)753-8586 or at the Washington Center or the Minnaert Center box offices. The event is sponsored by B.R.I.C.K.

Hedges, who said he has never been to Olympia before, took the time to respond this morning to a few questions posed by Little Hollywood.

Hedges is the author of numerous bestselling books, including Empire of Illusion, Death of the Liberal Class, War is a Force that Gives Us Meaning, and Days of Destruction, Days of Revolt. His latest book, Wages of Rebellion, will be released in May.

According to Hedges’ press release:

Revolutions come in waves and cycles. We are again riding the crest of a revolutionary epic, much like 1848 or 1917, from the Arab Spring to movements against austerity in Greece to the Occupy movement. In Wages of Rebellion, Chris Hedges—who has chronicled the malaise and sickness of a society in terminal moral decline in his books Empire of Illusion and Death of the Liberal Class—investigates what social and psychological factors cause revolution, rebellion, and resistance. Drawing on an ambitious overview of prominent philosophers, historians, and literary figures he shows not only the harbingers of a coming crisis but also the nascent seeds of rebellion. Hedges’ message is clear: popular uprisings in the United States and around the world are inevitable in the face of environmental destruction and wealth polarization.

Focusing on the stories of rebels from around the world and throughout history, Hedges investigates what it takes to be a rebel in modern times. Utilizing the work of Reinhold Niebuhr, Hedges describes the motivation that guides the actions of rebels as “sublime madness” — the state of passion that causes the rebel to engage in an unavailing fight against overwhelmingly powerful and oppressive forces. For Hedges, resistance is carried out not for its success, but as a moral imperative that affirms life. Those who rise up against the odds will be those endowed with this “sublime madness.”

Interview with Little Hollywood:

Little Hollywood: You have a Master of Divinity degree from Harvard University. In secular media, do you notice a bias against people who share their thankfulness or faith in God? How does your religious training influence your writing?

Hedges: I worked at The New York Times for 15 years where they looked any anyone who expressed any appreciation for religious thought as slightly unhinged.  I would say all my writing is rooted in my theological studies and my reverence for the sacred.  That said, I am no friend of institutional religion.  The theologian Paul Tillich got it right.  All institutions, including the church, are inherently demonic.

Little Hollywood: Regarding terrorism, ISIS is a gang and seems to be effective in attracting disaffected young people – it gives them a purpose, an identity and a feeling of belonging. Is there a way to attract people toward good motives and purposes? 

Hedges: We created ISIS.  We did it by dropping missiles, artillery and carrying out air strikes for 13 years in the Middle East.  We did it with our militarized drones.  We have decapitated far more people, including children, than ISIS.  During the Vietnam War we carried out saturation bombing of Cambodia and got Pol Pot.  This is the modern equivalent.  When you brutalize people they become brutal.  And we would be no different.  ISIS burns a pilot in a cage because our air strikes burn whole families in their homes.  What ISIS did is cruder, but it is morally no different.  Employing more violence to solve a problem caused by indiscriminate violence is idiotic.  But it makes the merchants of war rich.

Little Hollywood: You are currently teaching prisoners at the maximum security prison in New Jersey and just posted a story about Siddique Hasan, a man on death row in Ohio. What are you teaching the prisoners, how often, and what are you learning?

Hedges: I teach college credit level courses to prisoners at the maximum security prison in Rahway, New Jersey.  I teach something different every semester.  This spring I am teaching a course on conquest so we are reading The Open Veins of Latin America, Bury My Heart at Wounded Knee, Black Jacobins and Roll Jordan Roll: The World the Slaves Made.  Last fall I taught W.E.B. Du Bois, James Baldwin, Black Boy and Invisible Man.  The year before I helped prisoners write a play about prison called “Caged” (see my column "The Play's the Thing) that will be performed by a theater in New York in January.  Mass incarceration is the most important civil rights issues of our time.

Little Hollywood: You’ve won awards for your online journalism. In a question about online vs. print journalism, how do citizen online journalists get their stories noticed by a wider audience than the already converted? Do you read anything in print?

Hedges: I write a weekly column as if it was for a print publication.  I do not like social media -- I do not have a television, a web page, a Facebook page or tweet -- because I see it as a form of self-promotion and intellectually shallow. I remain rooted in a print-based culture.  There are 5,000 books in my house and I read for a few hours every night.  I wrote a book about the importance of remaining rooted in the world of ideas called Empire of Illusion: The End of Literacy and the Triumph of Spectacle. 

Little Hollywood: You left The New York Times after being issued a formal reprimand for denouncing the Bush administration’s invasion of Iraq in a graduation speech. In an interview, you said The New York Times acted as nothing less than a stenographer for the Bush White House pumping out lies used to justify the war. What stories is The New York Times currently getting wrong? 

Hedges: The New York Times is an elitist publication.  Its unwritten credo is: do not significantly alienate those on whom we depend for money and access.  That said, it can still do great journalism.  But it is an establishment organ.  Its biggest sin right now is that it continues to treat centers of power, both political and financial, with respect and deference when they have become criminal.  This includes Wall Street, the courts that defend wholesale surveillance and a system where money replaces the vote and our political leaders who are corporate puppets.  The longer they continue to play this game the more credibility they lose.

Little Hollywood: You’ve been fortunate to travel to get first-hand source information and interviews, especially since you know three languages in addition to English: Arabic, French, and Spanish. In a 2007 interview, you said that you don’t own a television. Is this still true, and for how long have you not had a television? How has this influenced your children’s development and understanding of the world? 

Hedges: I have never had a television.  I did not grow up with one.  Neither have my children.  This is why they are readers.  We spend a lot of time outdoors.  We unplug from the electronic hallucinations of modern culture.  And we are much healthier for it.  As a writer I do not want to speak in the language the corporate state gives to us.  This is why reading is so important.  You cannot challenge systems of power unless you understand those systems -- including the nature of capitalism -- and this requires you pick up, for example, Marx's Capital Volume I and read all 940 pages.  There is no short cut to knowledge.

Little Hollywood: Many environmentalists seem to arrive upon an issue too late, or chase the latest issue du jour. A lot of energy is wasted participating in structured public hearings that are designed to involve the public too little and too late. How can activists work smarter on issues that really matter, and really make a difference?

Hedges: By realizing that the system is gamed.  The corporate forces that are destroying the environment are writing the regulations.  This is why after the three decades-long struggle by environmental groups things are worse.  We can't halt the destruction of the eco-system by asking those who are destroying it to regulate themselves.  This is ridiculous.  We have to create acts of mass civil disobedience to make this destruction difficult for them.  Not one in the Democratic or Republican parties at this point is going to help us.    

Little Hollywood: I’ve told you a little bit about the types of issues local environmental activists are interested here in Olympia: land use, climate change, growth, food sustainability, Puget Sound water quality, the Port of Olympia’s acceptance of ceramic proppants from Asia used in the fracking industry and the export of raw logs to Asia, proposed oil train-to-marine transfer terminals in Washington State, and more.  In general and environmentally, what types of stories do you feel are most underreported that, if covered, will help progressive citizens get to the root of making a difference? What would that look like?

Hedges: No one writes about the poor, now about half the country.  They have become invisible.  What is being done to the poor, especially the poor in our sacrifice zones, such as the coal fields of West Virginia, is key to understanding what corporate forces are now doing to us.  Joe Sacco and I wrote a book out of the poorest pockets of the United States called Days of Destruction, Days of Revolt, that tried to show what unfettered capitalism looks like.  When there are no impediments to capitalism it becomes, as Marx wrote, a revolutionary force.  People and the nature world become commodities to exploit until exhaustion or collapse.  We are all being sacrificed now and we better wake up and overthrow the corporate state or we will be complicit in the extinction of the human species.

Little Hollywood: You wrote about a hike you took in 2010 on the Appalachian Trail. It sounds like you appreciate nature and turn to it where you live to unwind and help you process the atrocities you have seen in so many war-torn areas of the world. How do you keep from getting overwhelmed with all the world’s issues and how do you choose what to write about?

Hedges: I unplug from the world, go into the woods for days on end with my backpack, look at the stars at night and connect with the vastness of the universe.  This gives me peace.

Little Hollywood: I read in your column, “Saving the Planet One Meal at a Time,” that you became a vegan three months ago.  You wrote: “My attitude toward becoming a vegan was similar to Augustine’s attitude toward becoming celibate—“God grant me abstinence, but not yet.” But with animal agriculture as the leading cause of species extinction, water pollution, ocean dead zones and habitat destruction, and with the death spiral of the ecosystem ever more pronounced, becoming vegan is the most important and direct change we can immediately make to save the planet and its species. It is one that my wife—who was the engine behind our family’s shift—and I have made.” How is it going?

Hedges: I remain a committed vegan.  No one who cares about saving the planet, and who believes life is sacred, can eat animal products.

Little Hollywood would like to thank Chris Hedges for taking the time to respond to my questions.

To learn more about future Building Revolution by Increasing Community (B.R.I.C.K.) events, go to: www.spsccbrick.org or on Facebook at  https://www.facebook.com/brick.spscc

If you require disability accommodations for this event, please contact the Office of Student Life at studentlife@spscc.ctc.edu or call (360) 596-5306.