Above: Joe Seymour, Jr., Squaxin
Island and Pueblo of Acoma, of Olympia, stands near the mural he and three
other artists painted in 2012, commemorating the Canoe Journey
to Squaxin Island. The mural in downtown Olympia was demolished this week to make room for a new, three story, mixed-used building. Seymour has been commissioned to create art for the new building.
Olympia Mural, Downtown
Warehouse Building Demolished
Seymour to Work on New Art for The Laurana and Views on Fifth
By
Janine Gates
Little Hollywood
Very little was salvaged.
Not the spectacular wooden trusses, not the metal
window frames, not the beloved mural painted in commemoration of the 2012 Canoe
Journey to Squaxin Island.
The mural was created by Coast Salish artist Joseph Seymour, Jr., Squaxin Island and Pueblo of Acoma, Ira Coyne, Vince Ryland, and Kevin Bouton-Scott.
The mural was created by Coast Salish artist Joseph Seymour, Jr., Squaxin Island and Pueblo of Acoma, Ira Coyne, Vince Ryland, and Kevin Bouton-Scott.
In front of a handful of witnesses, the mural in downtown Olympia was
demolished on Tuesday.
In short order, the brightly colored mural with so much personality was gone.
Above: Artist Joe Seymour Jr. stands in front of the mural he helped create in commemoration of the 2012 Canoe Journey to Squaxin Island.
Above: Passersby witnessed the mural’s destruction on Tuesday.
Built in 1941, the warehouse building adjacent to Percival Landing on State and Columbia Street was most recently home to Les Schwab Tires. In cooperation with the store’s management, the mural was painted on its outer, west facing wall.
After Les Schwab Tires moved to its new location on Plum Street, Walker
John and one of his companies, Urban Olympia V LLC, bought the building. The
project is represented by Thomas Architecture Studios.
In the past couple of weeks, the building’s demolition
was accomplished to make room for a new, three story building with a restaurant and
44 market rate housing units: 10 studios, 28 1-bedroom, and six two-bedroom
units.
The new development will be called The Laurana, after Laurana Ware Percival, the wife of Captain Samuel Wing Percival, who constructed the Percival Dock and Lumber Companies.
Interview with Artist Joe Seymour
The new development will be called The Laurana, after Laurana Ware Percival, the wife of Captain Samuel Wing Percival, who constructed the Percival Dock and Lumber Companies.
Construction is slated to begin in August with occupancy in late summer or fall of 2019.
Interview with Artist Joe Seymour
Little Hollywood contacted Seymour and met with him last weekend on Percival Landing. We talked about the Canoe Journey mural, his art, and future projects.
The conversation was bittersweet, and jumped between the emotions of past, present, and future.
The conversation was bittersweet, and jumped between the emotions of past, present, and future.
The name Joe Seymour does not appear on the marker near the mural. What does appear is Seymour’s Squaxin Island ancestral name, Wahalatsu?. His family gave him the name of his Squaxin Island great grandfather, Wahalatsu?, William Bagley, in 2003.
Seymour said his ancestors inspire him to create his art.
Seymour said his ancestors inspire him to create his art.
Downtown Olympia sits on land ceded by the Medicine Creek Treaty tribes which include the Squaxin Island Tribe, Nisqually Tribe of Indians and the Puyallup Tribe of Indians.
A heavy trading area for different people, the waters and lands upon which we stood are the traditional territory of the Steh-Chass people, people of the Squaxin Island Tribe.
A heavy trading area for different people, the waters and lands upon which we stood are the traditional territory of the Steh-Chass people, people of the Squaxin Island Tribe.
Prior to the Carylon fill of 1911, the area between
Percival dock and Columbia Street was the water’s edge. Piers were initially
used to extend Water Street north of State, called 3rd Street at the time, to
provide buildable area for more industrial activity.
Seymour had just come from Thomas Architecture Studios
and held in his hand rolled up building drawings.
He was excited to see the drawings because the building’s owner, Walker John, has commissioned him and local artist Ira Coyne to create two new pieces of artwork for the new building.
He was excited to see the drawings because the building’s owner, Walker John, has commissioned him and local artist Ira Coyne to create two new pieces of artwork for the new building.
We opened the rolls.
The building will feature a plaza facing west, toward the water, and have a raised sill height of 16.5 feet which is six feet above the
elevation required for sea level rise. Deployable Kevlar skirts will be used at
building entrances.
The building’s west façade will be set back from the
existing one by approximately 65 feet. The city requires a 30 foot setback from
the shoreline and Laurana’s west façade is over 100 feet from the shoreline.
But Seymour was most interested in the wall space he
and Coyne will have to work with to create their artwork.
“We’re not going to recreate this mural but do
something that honors the Canoe Journey. We’re going to look at pictures of the
actual landing that day and see what we find. We have two walls: one, facing west, toward the water, will be 15 feet high and 50 feet wide. The other, facing
northeast on Columbia Street, will be about 30 feet wide and as high as 30
feet. Both Ira and I are really grateful that the developer is working with
us.”
“Nothing is permanent,” Seymour added, looking at the
mural wistfully.
His perspective comes not only from his indigenous
heritage, but his upbringing.
Seymour, born in Albuquerque, New Mexico, grew up
in New Mexico and California. His dad was in the Marine Corps. He now lives in
Olympia’s eastside neighborhood.
A geoduck harvester and commercial diver, Seymour works
with several artistic mediums, including wood, wool, etched glass,
paint, and photography.
He started his artistic career by carving his first
paddle for the 2003 Tribal Journey to Tulalip. Then he carved his first
bentwood box. Then he learned how to stretch and make drums.
In 2005, after attending a life-changing
artist-in-residency program at the Longhouse at The Evergreen State
College in Olympia, Seymour knew he wanted to devote his life to his art.
He has been a participating artist in several art
shows facilitated through the Longhouse and the Washington State History
Museum. The recipient of numerous grants, he has participated in several
international gatherings of indigenous artists.
Seymour’s work can be seen at the Portland Art Museum in
Portland, Oregon, the Squaxin Island Museum in Shelton, and the Hilo Art Museum in Hilo, Hawai’i.
The Canoe Journey Mural
The Canoe Journey Mural
Tribal Journeys began in 1989, intending to coincide with the centennial celebration for Washington State. Since 1993, ‘Tribal Journeys’ or ‘The Paddle’ have been held on an annual basis, with various tribes serving as the host tribe.
Seymour discussed the creation of the mural to commemorate the 2012 Canoe Journey.
“The
project was commissioned by the Olympia Downtown
Association. Ira and I submitted our designs and they were both really similar.
We both had seven canoes on the water and we both had big sky, so they asked, ‘Do you want to work together?’
“My first thought was, ‘I don’t want to work with anybody,’ Seymour laughed. “But then I saw the Rebecca Howard mural (painted by Coyne) and I was like, ‘Holy shit, I wanna work with this guy.’
“A lot of my friends already knew Ira and they said, ‘Yea, work with this guy.’ So, we got together, looked at our designs and within five minutes, said, ‘Yea, let’s work together.’ So, it was serendipitous. They gave us $3,000 and Benjamin Moore donated the paint.”’
Seymour was asked how he found out about the sale of the building and that the mural wouldn’t be saved.
“My first thought was, ‘I don’t want to work with anybody,’ Seymour laughed. “But then I saw the Rebecca Howard mural (painted by Coyne) and I was like, ‘Holy shit, I wanna work with this guy.’
“A lot of my friends already knew Ira and they said, ‘Yea, work with this guy.’ So, we got together, looked at our designs and within five minutes, said, ‘Yea, let’s work together.’ So, it was serendipitous. They gave us $3,000 and Benjamin Moore donated the paint.”’
Seymour was asked how he found out about the sale of the building and that the mural wouldn’t be saved.
“We never really thought Les Schwab would move. We thought it would be here for, like, 20 to 25 years. Most downtown buildings stay where they are, but not anymore. I found out that the building was being sold when Ira called me about it. It turns out the developer was reaching out to the Squaxin Island Tribal Council, trying to figure out what to do. They called me about it and asked what would be the ideal. I said the ideal would be to preserve the whole wall or move it to the Tribe. But economically, that wasn’t feasible. I thought it could fall under historic preservation, but no….”
Pointing to one canoe named DZU-NIG-WUN-GIS, Seymour
explained that the canoes featured are actual ones on the Journey.
“That is Chief Frank Nelson’s canoe, from Alert Bay,
on Vancouver Island. He was one of the driving forces for the renewal of the
Canoe Society. That’s one piece of wood. It’s heavy! He's passed on now,” said Seymour.
Pointing to a smaller canoe, Seymour said it was a traditional Squaxin dugout canoe.
Pointing to a smaller canoe, Seymour said it was a traditional Squaxin dugout canoe.
Above: A close up of a traditional Squaxin dugout
canoe.
Seymour said he painted the sun by freehand, using a
yardstick and a couple of pencils to make a big compass.
He credited Kevin Boutin-Scott for painting the
welcome pole. “It turned out amazing,” he said.
Future Plans for Views on Fifth
Future Plans for Views on Fifth
Seymour just graduated from The Evergreen State
College and hopes Evergreen will receive the financing needed to begin a Masters in Fine Arts program so he can
move forward with his education and later teach. For now, he is happy to create
art.
He credits his faculty members, printmaker Lisa Sweet,
and Alex Swiftwater McCartey, Makah, and their program, Studio Projects, for
his exploration of printmaking with a Northwest Native art element.
“When working in the print studio, you’re working with
Baltic birch for your blocks and because I have a carving background, that
really came in handy,” he said.
The course explored dominant European-U.S. concepts and assumptions of art as well as the art of indigenous and ancient cultures, created to serve ritual and ceremony or to galvanize communities. Alternative forms and functions of art serve to act as change agents, questioning the status quo.
The course explored dominant European-U.S. concepts and assumptions of art as well as the art of indigenous and ancient cultures, created to serve ritual and ceremony or to galvanize communities. Alternative forms and functions of art serve to act as change agents, questioning the status quo.
Above: The nine-story Views on Fifth under construction in downtown Olympia as seen from Rotary Park on West Bay Drive.
Turning south, Seymour looked toward the
nine-story building under reconstruction as Views on Fifth and remarked that
he is excited to be working with the building’s owner, Ken Brogan, to create
massive Coast Salish art.
He envisions decorating the concrete towers with
several salmon made of steel and welcoming poles made of wood.
Discussing the tortured history of the building and current efforts to stop its construction, Seymour says he thinks the new building will be beautiful.
“I don’t want to reveal too much, but I want to take
the image of the welcoming pole figure from the mural and turn it into a 3-D
sculpture. So, even though the mural is coming down, it will be recreated
in a different form and then, maybe, in this new project, we can have something
that celebrates regeneration and ties in with the Canoe Journey. I’m working with a carver who wants to teach me how
to do it,” he said.
The artwork, like the City of Olympia, will be created in stages.
Above: The mural is a featured landmark in the GPS game, Pokemon. Noses to their smartphones, several participants gathered at the mural for an impending raid. All in good fun, the game is played like Capture the Flag. One participant, Aryah Esposito, 20, of Olympia, wore a 2013 Paddle to Quinault t-shirt.
